PJ-SI-18-A Leather Side Chair by Pierre Jeanneret, 1950s

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. Here the silhouette is strong. It is presented through the outline and shape of the piece. The shape is defined by geometrical quality, which is expressed in a minimalist manner. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The legs, together with the seat and the backrest create a strong frame. The backrest is carved with vertical rectangular openings. The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered it accordingly. Unlike the initial upholstery of Chandigarh items in skai, this has been redone in high-end cow hides. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a chair with a specific expression, it becomes a collector’s addition to each space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 322, 559. Edition Galerie Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret: Chandigarh, India’ (Paris: Galerie Patrick Seguin, 2014), 152, 206-7, 271, 285.