Vintage Design
Here the silhouette is strong. It is presented through the outline and shape of the piece. Different visual qualities are presented from different angles. Its expressive form underlines the geometrical quality carried in the proportions of each element. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Chandigarh items are famous for A-shaped legs. Many desks, chairs, armchairs, and sideboards have these legs, so the pieces remind us of sturdy structural constructions, such as bridge pillars that carry their weight, or some of Le Corbusier’s buildings. The A-shaped legs have sharper corners and are strict and sturdy in their geometry. Their angle and position show that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression. The upholstery is redone in a traditional way. As wire springs were used for the original seat, we upholster it accordingly or per your choice. We recommend cow hides, vintage leathers, suede, or any other fabric. It is also possible for you to forward us your own upholstery. We do it with or without piping and with wire springs or high-quality foams. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a sharp, solid note. As an easy chair with a strong character, it fits in a living area or in a reading corner. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 232-3, 563-4. Edition Galerie Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret: Chandigarh, India’ (Paris: Galerie Patrick Seguin, 2014), 158-9, 162, 283.
Creator |
Pierre Jeanneret (Designer) |
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Manufacturer |
Pierre Jeanneret (Designer) |
Design Period | 1950 to 1959 |
Production Period | 1950 to 1959 |
Country of Manufacture | India |
Identifying Marks | This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources |
Style | Vintage |
Detailed Condition | |
Restoration and Damage Details |
Light wear consistent with age and use, Patina consistent with age and use, Partially restored, Surface has been refinished, Requires reupholstery
|
Product Code | BDC-1972316 |
Materials | Leather, Teak |
Color | Brown |
Width |
59 cm 23.2 inch |
Depth |
63 cm 24.8 inch |
Height |
76 cm 29.9 inch |
Duties Notice | Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order. |
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