Mid-Century Modern PJ-SI-08-A Armless Easy Chair by Pierre Jeanneret, Chandigarh, 1953

As a prototype, it is much more free, less afraid to fail. Apart from its importance as an early piece with specific development, it was never made in larger quantities. An item which is interesting for collectors and connoisseurs. All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in cognac colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. Width of the legs varies along the longest axis. Cotton straps are intersecting one another and are stretched within the massive frame and were done according to original technique. The backrest consists of jute ropes that are stretched between the frames. Here the creativity is conceived in a simple solution, as well as experimentation with different materials. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a chair with a specific expression, it becomes a collector’s addition to each space. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier, Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 268, 280, 328, 557.